Pen
27 ספרים שראו אור בהוצאת Pen, מרוכזים במקום אחד עם פרטים מלאים.
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EPeridah%20nekhonah%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3ERama%20Marinov-Cohen%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Peridah nekhonah
Rama Marinov-Cohen· 2012
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%91%D7%99%D7%AA%20%D7%98%D7%A8%D7%9C%D7%95%D7%A0%D7%99%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EHannah%20Rothschild%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
בית טרלוני
Hannah Rothschild· 2021
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%92%D7%9C%D7%95%D7%99%D7%94%20%D7%9E%D7%90%D7%99%D7%98%D7%9C%D7%99%D7%94%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EAlex%20Brown%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
גלויה מאיטליה
Alex Brown· 2021
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EMatkon%20ba%E1%B9%ADua%E1%B8%A5%203%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EDudu%20Otmazgin%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Matkon baṭuaḥ 3
Dudu Otmazgin· 2012
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3E%E1%B8%A4agigat%20%E1%B8%A5oref%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EYosef%20Bar-Yosef%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Ḥagigat ḥoref
Yosef Bar-Yosef· 1992
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%94%D7%90%D7%95%D7%A8%20%D7%9E%D7%A2%D7%9C%20%D7%9C%D7%95%D7%A0%D7%93%D7%95%D7%9F%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EJulia%20Kelly%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
האור מעל לונדון
Julia Kelly· 2018
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%A7%D7%99%D7%A5%20%D7%A9%D7%9C%20%D7%A1%D7%95%D7%93%D7%95%D7%AA%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3ENikola%20Scott%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
קיץ של סודות
Nikola Scott· 2019
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'162.4'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'321.6'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'214.2'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3Eha-Ma%E1%B9%AD%CA%BCa%E1%B9%ADe%20shel%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'257.7'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3Eha-almanah%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'305.6'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EChris%20Van%20Allsburg%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
ha-Maṭʼaṭe shel ha-almanah
Chris Van Allsburg· 2005
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3E%CA%BBAl%20ha-teshu%E1%B8%B3ah%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3ERachel%20Gottesman%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
ʻAl ha-teshuḳah
Rachel Gottesman· 2017
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'162.4'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'321.6'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'214.2'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3ESainfeld%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'257.7'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3Eu-filosofyah%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'305.6'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EWilliam%20Irwin%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Sainfeld u-filosofyah
William Irwin· 2005
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Ben ha-retsiḥot
Aravind Adiga· 2010
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EMatkon%20ba%E1%B9%ADua%E1%B8%A5%202%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EMishi%20Balog%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Matkon baṭuaḥ 2
Mishi Balog· 2011
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'162.4'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'321.6'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'214.2'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%94%D7%A6%D7%99%D7%95%D7%A8%20%D7%94%D7%90%D7%97%D7%A8%D7%95%D7%9F%20%D7%A9%D7%9C%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'257.7'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%95%D7%90%D7%9F%20%D7%92%D7%95%D7%9A%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'305.6'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EAlyson%20Richman%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
הציור האחרון של ואן גוך
Alyson Richman· 2019
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3E%CA%BBAmbah%20Diz%26apos%3Bon%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EDoron%20Hackam%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
ʻAmbah Diz'on
Doron Hackam· 2012
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EFran%E1%B8%B3ensh%E1%B9%ADain%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EMary%20Wollstonecra%E2%80%A6%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Franḳenshṭain
Mary Wollstonecraft Shelley· 2005
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%96%D7%99%D7%AA%D7%99%D7%9D%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EAvner%20Laskin%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
זיתים
Avner Laskin· 2007
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'162.4'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'321.6'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'214.2'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3E%E1%B8%B2andid%2C%20o%2C%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'257.7'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3Eha-Op%E1%B9%ADimiyut%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'305.6'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EVoltaire%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Ḳandid, o, ha-Opṭimiyut
Voltaire· 2006
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%90%D7%A8%D7%A5%20%D7%90%D7%99%D7%95%D7%9E%D7%94%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EKeith%20Gessen%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
ארץ איומה
Keith Gessen· 2019
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'162.4'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'321.6'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'214.2'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3E%E1%B8%A4agigah%20Yam%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'257.7'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3ETikhonit%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'305.6'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EAvner%20Laskin%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Ḥagigah Yam Tikhonit
Avner Laskin· 2011
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EPa%E1%B9%ADiseri%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EAvner%20Laskin%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Paṭiseri
Avner Laskin· 2005
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לס
Andrew Sean Greer· 2018
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אל תיתן לי למות במקום הזה
Rattawut Lapcharoensap· 2008
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EMatkon%20ba%E1%B9%ADua%E1%B8%A5%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EYi%C5%9Bra%CA%BCel%20Aharoni%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Matkon baṭuaḥ
Yiśraʼel Aharoni· 2010
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EMit%CA%BBorerim%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3ERon%20Dahan%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Mitʻorerim
Ron Dahan· 2020
Blood Fever
Charles Higson· 2007
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'184.2'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'299.8'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'236.0'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'rtl'%3E%D7%9E%D7%A9%D7%97%D7%A7%20%D7%94%D7%94%D7%9E%D7%AA%D7%A0%D7%94%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'283.8'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EBernice%20Rubens%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
משחק ההמתנה
Bernice Rubens· 2019
'%2F%3E%3Crect%20x%3D'10'%20y%3D'10'%20width%3D'280'%20height%3D'430'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.20)'%20stroke-width%3D'1'%20rx%3D'4'%2F%3E%3Crect%20x%3D'34'%20y%3D'162.4'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.45)'%2F%3E%3Crect%20x%3D'34'%20y%3D'321.6'%20width%3D'232'%20height%3D'1'%20fill%3D'rgba(235%2C79%2C94%2C0.22)'%2F%3E%3Ctext%20x%3D'150'%20y%3D'214.2'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3Eha-Derekh%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'257.7'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'600'%20font-size%3D'33'%20fill%3D'rgba(255%2C255%2C255%2C0.94)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3Ele-Nir%E1%B9%BFanah%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'305.6'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'400'%20font-size%3D'15'%20fill%3D'rgba(255%2C255%2C255%2C0.5)'%20text-anchor%3D'middle'%20direction%3D'ltr'%3EAnne%20Cushman%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'412'%20font-family%3D'Rubik%2CArial%2CHelvetica%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'11'%20letter-spacing%3D'3.4'%20fill%3D'rgba(255%2C255%2C255%2C0.26)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
ha-Derekh le-Nirṿanah
Anne Cushman· 2000