Pardes Publishing
67 ספרים שראו אור בהוצאת Pardes Publishing, מרוכזים במקום אחד עם פרטים מלאים.
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Auletris
Anaïs Nin· 2016
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Lullabies
Israel Hameiri· 2021
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Shattered Tables
Ruth Keinan· 2021
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Girls in the City
Miki Katz· 2021
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Veronica
Uriya Shavit· 2021
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Up in the Air
Alon Alpert· 2021
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Bird Seen
Idit Barak· 2021
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Zeitgeist
Dudu Gueta· 2020
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It Doesn't Have to End This Way
Amram Artzi· 2020
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Slave from Cairo
Elinoar Bareket· 2020
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Hope and Melancholy on the Margins of the City
Tal Shamur· 2019
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Savyonim
Yehudith Drigs· 2021
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Delta Book
gillit Chomsky· 2020
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Five Forms and a Woman
Dan Cordova· 2021
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One Hand Began to Write
Boaz Tarsi· 2019
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Other Journey
David Ratner· 2018
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It
Adi Wolfson· 2020
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Generations of Hope
Neomi Shmuel· 2020
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Fading
Idit Shalom Rahum· 2019
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Predatory Country
Esther Herzog· 2021
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Current
Kinneret Rubinshtein· 2020
Center of Attention
Shoshana Kirsh· 2014
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3E%D7%9C%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
לשיר, סיפור אהבה
Yossi Rivlin· 2017
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3ED%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Deadly Love 977
Kobi Niv· 2020
In Turn
Dael Rodrigaz Garcia· 2020
Poetry
Maya Winberg· 2018
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3ER%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Rose of Desire
Kinneret Samuel· 2020
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EF%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Flowers for Hilde Apflebaum
Dror Cohen· 2020
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EL%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Like an Egg
Boaz Danon· 2021
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3ED%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Developing Editor
Veres Zinger· 2021
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EP%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Purple 351
Avi Valentine· 2020
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EC%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Cold Countries
Haim Lapid· 2020
Stoning, Thorns and Longing
Anan Kening· 2018
On the Other Side of the Street
Eliya Alexander· 2020
Go to Gaza
Ehud Amir· 2019
Golden Olive of the Zionist Cocktail
Daniella Carmi· 2020
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EG%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Gray and Lost and Marvelous
Sigal Zehavi· 2020
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3E%D7%9E%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
מחשבה מתקתקת : ג'ון דיואי
Anat Rimon-Or· 2016
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EB%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Breaking the Binaries in Security Studies
Ayelet Harel Sahlev· 2021
In the Trash
Zeev Smilansky· 2020
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3ET%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Take off the Sand from Your Eyes
Efrat Ben-Yehuda Levin· 2020
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EG%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Ghostones
Shmuel Munitz· 2021
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EH%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Herzl - une Histoire Europeenne
de Toledo Camille· 2018
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3ER%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Reclaiming Security
Irit Keinan· 2020
Ha-Bayit Ha-Kahol
Dana Freibach Heifetz· 2023
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3ES%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Second Round
Boneh Tirosh· 2021
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EC%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Calypso
Tzipi Shichrur· 1912
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EW%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
We Will Make the World a Continuation of the Dream
Haim Kaplan· 2019
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EQ%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Queen Mother in Israel
Shoshana Arbeli· 2018
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EM%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Memories of a Life I Didn't Live
Iirit Keinan· 2020
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This Dog Is a Sad Human
Nitza Lahat· 2021
Sandor
Hanna Moshe· 2021
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73
David Kahan· 2021
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Al-NABIDHA
Inaam Kachachi· 2021
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3ED%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
Do Not Just Sit There
Iris Rilov· 2020
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After the Rain
Tom Zimerman· 2020
Dancing with One Hand
Tamar Hershkovitz· 2020
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Thang
Shimon Adaf· 2021
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Ḳatalog mi-Bet misḥar ha-sefarim Pardes
N.Y.) Pardes (Firm : New York· 1936
Terms of Enlightenment
Daniel Arel· 2017
So How Are You Called These Days?
Michal Rom· 2019
'%2F%3E%3Crect%20x%3D'8'%20y%3D'8'%20width%3D'284'%20height%3D'434'%20fill%3D'none'%20stroke%3D'rgba(235%2C79%2C94%2C0.28)'%20stroke-width%3D'1.5'%20rx%3D'6'%2F%3E%3Ctext%20x%3D'150'%20y%3D'248'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'700'%20font-size%3D'150'%20fill%3D'rgba(235%2C79%2C94%2C0.5)'%20text-anchor%3D'middle'%3EI%3C%2Ftext%3E%3Ctext%20x%3D'150'%20y%3D'312'%20font-family%3D'Rubik%2CArial%2Csans-serif'%20font-weight%3D'500'%20font-size%3D'15'%20letter-spacing%3D'3'%20fill%3D'rgba(255%2C255%2C255%2C0.28)'%20text-anchor%3D'middle'%3EALLBOOKS%3C%2Ftext%3E%3C%2Fsvg%3E)
In the Depth of the Meadow
Tomer Dvora Shor-Kehat· 2020
Separated Soul Light
Tali Latuvizki· 2021
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Prize
Mati Shemuelof· 2021
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Songs
Ehud Palmor· 2020
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Encounters Around the Text
Shlomo Gusman Carmeli· 2019
They Said There Was a Great Dream Here Once
Amir Porat· 2020